Application Requirements

Submit a total of two (2) digital videos recorded within the last year that include the following and in the following order: 

All work samples should be recorded with the audio playing live in the space (not overlaid in editing), as the relationship between oli, mele, rhythm, movement, and presence is integral to hula. 

• A two (2) minute technique video to include the following: 
  • Applicants may choose to submit either a kahiko or ‘auana prepared solo. The technique video should demonstrate technique in the other form.
    • For example: if your prepared solo is kahiko, your technique video should demonstrate ‘auana technique; if your prepared solo is ‘auana, your technique video should demonstrate kahiko technique.
  • Technique material should be structured similarly to classwork or warm-ups and should demonstrate foundational hula movement vocabulary, body alignment, rhythm, musicality, coordination, stamina, and expressive clarity.
  • The technique video should include demonstrations of foundational hula movements and exercises such as:
    • kaʻo
    • kaholo
    • hela
    • ʻuwehe
    • lele ʻuwehe
    • ku’i 
    • hand and arm gestures
    • directional transitions and traveling steps
    • backbends and body flexibility
    • additional foundational movements appropriate to the dancer’s training and lineage
  • Dancers should demonstrate clarity, control, grounding, and dynamic range across a variety of tempos and movement qualities.
• A two (2) minute prepared solo piece of your choice with a clear beginning and ending.
  • The solo should demonstrate artistry, musicality, storytelling, command of the form, and performance presence.
  • Solos should be accompanied by music that is being played in the room with the dancer, not overlaid, and audible footwork (when appropriate) as the relationship between oli, mele, rhythm, movement, and presence is integral to hula.
  • Dancers are encouraged to select choreography that reflects both technical strength and expressive depth.
  • Most hula works are longer than two minutes and therefore excerpts are acceptable provided they include a complete and cohesive performance arc. I.e., performed fully in one take without edits to the recording.
  • If ‘oli is part of your presentation, please include that in your video sample.

NOTE: If selected as a winner with distinction, you may be required to perform your submitted solo live on stage during National YoungArts Week and therefore must have permission or rights to perform the choreography publicly. 

Audition Apparel

Dancers should wear attire that allows adjudicators to clearly see body alignment, posture, footwork, and movement dynamics. We strongly encourage clothing colors that contrast with the background and minimizing distracting accessories or excess layers. Practice attire such as pa’u skirt should be worn for both video samples. Lei, kupe’e, and other adornments are welcome for the kahiko videos, but full costume is not required.

Recording Guidelines

• Sound: Ensure recording captures good quality sound. Music should be played in the room with the dancer and not be overlaid onto the video.  
• Image: Record your audition in a clearly defined space that is free of background distractions. The choreography should not be site-specific.  
• Framing: The camera should be set at a fixed point of view and left in one position, framing the dancer’s entire body to capture movement in place as well as movement in and through space. Unnecessary panning and moving the camera to follow the dancer is strongly discouraged.  
• Lighting: Make sure the space is well lit with neutral lighting, but not too bright.  

File Upload Guidelines

• Save and name your files individually.  
• Do not put your name or any identifying information in or on your files.  
• When uploading, be sure that the video image is upright (not sideways or upside down) and plays smoothly.  
• Do not submit pre-recorded live performances, such as recitals, concerts, or competitions as these events typically have background noise and/or distractions.  

NOTE: You are welcome to submit materials that have been part of other applications, competitions, or projects. YoungArts does not own any works submitted to its competition, however if your work has been submitted to other competitions, you are responsible for getting permission to submit to YoungArts, if necessary.